Showing posts with label Linda Day. Show all posts
Showing posts with label Linda Day. Show all posts

Thursday, February 16, 2017

Married with Children: All in the Family

Image result for Married with Children: All in the FamilyMarried with Children: All in the Family
Fox
May 1, 1988
Sitcom
VHS
C+

I of course taped this because the Del Rubio triplets (of Americathon) appear as Peg's aunts.  They and other Wanker relatives pay the Bundys a visit, much to Al's displeasure.  I watched MwC off and on over its long run, mostly in the early years, although the mean-spiritedness was a barrier.  This episode is the Season Two finale, so Kelly is not yet stupid, and Marcy is still with Steve.

Linda Day, who directed four of the early Who's the Boss? episodes, here does one of her thirty-three for MwC.

Friday, December 23, 2016

Who's the Boss?: Angela's Ex, Part 2

Image result for Who's the Boss?: Angela's Ex, Part 2Who's the Boss?: Angela's Ex, Part 2
ABC
February 12, 1985
Sitcom
DVD
B

Sternin & Fraser also wrote this second part, which is not as good but still a perfectly fine episode.  Tony gets a job working for a nice, rich, elderly woman.  (How rich?  Well, she has three maids and at least one other servant, but she is rich enough to think Angela lives on the poor side of town.)  It's a great job, especially with all those maids to flirt (and more?) with, but Tony misses Angela.  Meanwhile, Angela and Michael are trying to make their marriage work, but he resents her taking work home.  The Micellis pays a visit, and it's cute how Jonathan and Samantha pretend they don't miss each other.  (It would be in later seasons that she'd be more negative towards him.)  Michael and Angela realize they need to divorce and he, offscreen, invites Tony to come back.  Note that Crunchy Crawlers cereal is mentioned here and in the previous episode, a callback to the pilot.

Ian Abercrombie, who plays Leo the butler-chauffeur, was a Lawyer on Three's Company.  We hear Jim Peterson's voice on the answering machine but Boen does not appear.

Who's the Boss?: Angela's Ex, Part 1

Image result for Who's the Boss?: Angela's Ex, Part 1Who's the Boss?: Angela's Ex, Part 1
ABC
February 5, 1985
Sitcom
DVD
A-

Sternin & Fraser wrote this story, which is one of the best of the series.  Angela's "ex," Michael, well cast and well played by James Naughton, returns and we discover that when, in the pilot, she referred to her husband leaving her, she didn't mean she was divorced.  She tried to have him served with papers, but he was in the jungle, working on one of his documentaries, for six months.  Obviously, she and even more so the Micellis are surprised to see him.  Mona is annoyed but Jonathan is ecstatic, especially since his daddy brought a boa constrictor.

Michael in turn is surprised to find out about Tony's live-in job and Angela's promotion to president of her company.  He doesn't want a divorce and when she tells him it's over, he kisses her.  Then the next morning, the audience and Tony find out that Mr. and Mrs. Bower spent the night together in her room.  Michael gets a desk job in Manhattan and he's moving back in.  He even fires Tony, because Tony is "Jonathan's father and Angela's friend," and those should be Michael's roles.  Angela objects when Tony tells her, but he, probably thinking of how he can never have a second chance with his late wife Marie, that she needs to put her marriage first.  So Tony and Angela share a close hug goodbye.

Image result for Who's the Boss?: Angela's Ex, Part 1Part of what's wonderful about this episode is that it's interesting to see how all six characters, even Sam, have their own takes on the events.  For instance, Mona thinks Michael is a jerk and she lets out a wail when, watching from outside the kitchen, she spies Angela kissing him.  Naughton and Light are completely plausible as a long-term mismatched but attracted couple.  Angela's conflict is very believable.

As is Tony's.  There are some moments early on where the T/A ship is teased, as when she tells Jonathan, who's been hit with a snowball by 6th-grader Richard Welling (the unseen kid Sam fought with in "Angela's First Fight"), to go upstairs and take off his clothes.  Tony jokes as if she's talking to him.  And when Michael assumes that Angela is involved with Tony, Tony says nothing is going on, but Angela says they could do something if they wanted.  Tony utters a surprised, "We could?", as if he's never seriously considered the possibility but would like to.

Image result for Who's the Boss? mona bikiniYet I don't think it's just jealousy that makes him worried about Angela getting involved with Michael.  Mona knows Michael and clearly doesn't approve of him.  (Nor he of her, as with his reaction to her Spring Break outfit.)  But Tony has to base his opinion on what's in front of him.  He seems amused by Michael when Angela isn't, but he does think she's rushing into things, legally married or not.  Still, he does step aside when Michael fires him.

As for Michael, he admits he's jealous of Tony, although not really romantically.  He seems to see Angela in a new way, now that he might lose her.  It's telling that he says that he never knew she had it in her, to become president, and she says he never looked.  He says he is now.

Jonathan's feelings are more straightforward.  He's seven and he adores his father.  Sam at 12 (we know this is set after her birthday, because she wears the robe Angela bought for her) is starting to perceive adult relationships.  But she's too outspoken to keep quiet, as when she points out that Mr. Bower is wearing his clothes from yesterday, as he's pretending to have dropped by for breakfast.  (Tony tells Jonathan this and Michael plays along.)

This is the first of two two-parters with Michael.  I wish there had been more.  He actually helps the fivesome feel more like a family.  And there's a scene where he issues dinner invitations and then has to explain he doesn't mean the Micellis.  Jonathan says that Sam and Tony are family, but Tony pretends they already have plans.

Wednesday, December 21, 2016

Who's the Boss?: Samantha's Growing Up

Image result for Who's the Boss?: Samantha's Growing UpWho's the Boss?: Samantha's Growing Up
ABC
January 8, 1985
Sitcom
DVD
B

Paul Robinson Hunter wrote this story where Angela "helps Tony get through puberty."  Samantha is old enough to want a training bra, preferably one like her friend Marci's, but Tony has a hard time accepting that his little girl is growing up.  He also objects when Angela buys her more feminine clothes.  This is an early episode in a thread that runs throughout the series: Angela helping Tony raise Samantha, even when they have different ideas about how to do so.  It also begins the running joke that Angela is flat-chested in comparison to her mother.  (As on Soap, Helmond's large breasts are often the subject of both admiration and amusement.)  Note that in the tag, Sam comes home from playing baseball, with the new mitt that Tony got her for her 12th birthday, and she gets a call from a boy she has a crush on, Bobby, who's a klutz but cute.  We'd meet Bobby a few weeks later.  This is also notable for being the episode where Sam stops saying "Mrs. Bower" and starts saying "Angela."

Monday, December 19, 2016

Who's the Boss?: A Rash Decision

Image result for Who's the Boss?: A Rash DecisionWho's the Boss?: A Rash Decision
ABC
November 13, 1984
Sitcom
DVD
B

Sternin & Fraser wrote this story which ranges from slapstick and beefcake, in the scenes where Tony films a Machismo shower gel commercial, to relatively serious moments towards the end, where Tony and Angela, with some nudging from Mona, realize the importance of honesty and integrity.  Note that Sam's friend Marci is referred to although we haven't yet seen her.  And Mona, as in "Briefless Encounter," is more willing and happy to babysit than she would be in later seasons (even before Jonathan was too old for a sitter).

James Hampton, who plays Herb, would be an Officer later in the season.  I don't have Matthew Laurance in any of my other shows, but I still remember him as one of the leads in the early Fox sitcom Duet.  This is the first of four WtB episodes Linda Day directed.