Showing posts with label Mary Wickes. Show all posts
Showing posts with label Mary Wickes. Show all posts

Wednesday, May 18, 2016

Match Game '76

A different Mary Wickes episode
Match Game '76
CBS
December 10, 1976
Game Show
DVD
C+

Notable things about this episode:

  • A female contestant says she doesn't have any children but she's going to have a dog;
  • Gene whacks a tech guy with a cue card for not cuing him in time;
  • Richard kind of annoys me, by overdoing a frog joke and by mocking Charles's perfectly fine answer;
  • A winning match for "Daisy ____" is "Mae," which I doubt would work these days;
  • and Brett claims Betty has had plastic surgery, little realizing that Ms. White would outlive everyone.

Sunday, April 17, 2016

M*A*S*H: House Arrest

M*A*S*H: House Arrest
CBS
February 4, 1975
Dramedy
DVD
F+

This Fritzell & Greenbaum story is easily the worst program I've watched so far.  It starts with Hawkeye sending Margaret out of the OR when she keeps making mistakes.  He's a little harsh with her, but he has a point, since patients' lives are at stake, and she's too nervous about the impending visit of Col. Reese to do well.  But then when they're all washing up after surgery, they argue and he makes some very sexist and sexually harassing remarks to her.  She insists on Frank defending her honor, which is treated as a joke by Hawkeye and Trapper.  Frank hesitates and then snaps a towel at Hawkeye, which is immature but harmless.  Then Hawkeye seems like he'll retaliate but instead he punches Frank in the eye!  Yes, I understand that Frank gets on Hawkeye's nerves, but Frank has done far worse than this (like trying to punish the gay soldier and the one with the self-inflicted wound), and Hawkeye has restrained himself.  With Margaret egging him on, Frank threatens Hawkeye with court martial.

Henry wants Hawkeye to apologize and for it to end there, but Frank insists that Hawkeye be placed under house arrest.  Hawkeye is delighted with the idea that he doesn't have to go anywhere outside the Swamp.  When the cook sends him a steak and Father Mulcahy (really disappointing me) brings Hawkeye a frigging POW care package (!), it's clear that everyone is treating Hawkeye like a hero for punching Frank, again with little provocation.  They even show the night's movie in the Swamp, with hot dogs and popcorn.  Note that Nurse Baker (Bobbie Mitchell) is annoyed by Hawkeye groping her during the movie (there's an earlier line about groping at the movies) but when it turns out to be Col. Blake, she is equally annoyed.  She does not change her seat or report them to anyone, because who could she complain to?

Meanwhile, since Trapper was a witness, he tells Henry that Frank just slipped on a bar of soap and hit his eye on the sink.  (The injury does not at all resemble what it would if this were the case.)  Henry is happy to accept Trapper's explanation.  I would actually prefer it if Trapper said, "Look, Henry, Hawkeye did hit Frank, but can you blame him?  The guy's been getting on our nerves for months."  It would be in character and, even if I didn't agree with Trapper, it would still be far preferable to him lying to save his buddy's ass.

Also meanwhile, Reese (Mary Wickes, whom I normally enjoy). shows up and soon is on the make for Frank, especially when Margaret admits that Frank is unhappily married.  Frank goes looking for Margaret and finds Reese, who's staying in her quarters.  Reese comes on to him despite his mild protests, and in fact offers quid pro quo promotion.  (Not that they called it that back then, but it does meet the legal definition.)  Earlier Reese was disappointed to hear what Hawkeye was arrested for, hoping it was for "jumping a nurse."  So now she starts kissing Frank, and Margaret walks in.  And Reese starts hollering, "Rape!"  The reaction of the rest of the camp is annoyance that the Gene Tierney movie has been interrupted and, as they all go to investigate, Trapper makes a crack about never having been to a rape before, like this is the next phase of the evening's entertainment.  Margaret, angry that Frank was seemingly cheating on her, rescinds her testimony against Hawkeye and says that Frank had slipped on a bar of soap.  So Hawkeye is freed and Frank is under arrest.  THE END!

A nice moment in an otherwise ghastly episode
The only reason why I didn't go lower with the grade is because I sort of like the sub-subplot about Radar ordering elevator shoes.  It's sad that he thinks they're necessary (Gary Burghoff, I had such a crush on you!), but it does lead to a sweet and funny little scene between him and Klinger, who's so sympathetic that he not only lowers the hems on Radar's slacks but helps him stand up in the lifts.  Towards the end of the episode, Hawkeye questions why Radar ordered the lifts, and he says that everyone makes fun of him, "including you."  Hawkeye apologizes and says he's been wrong to do this.  Which would be touching if, one, I didn't have the feeling that there would be more height jokes from Hawkeye down the road, and two, if there were any lightbulb moment where Hawkeye says, even if just to himself, "Gee, and I guess I've been even more out of line to Margaret, who, whatever her flaws, is usually a wonderful nurse."

Jeff Maxwell (Straminsky), Kellye Nakahara (Yamato), and Dennis Troy (an MP again) return.

Friday, March 18, 2016

Sigmund and the Sea Monsters: The Monster Who Came to Dinner

Sigmund and the Sea Monsters: The Monster Who Came to Dinner
NBC
September 8, 1973
Children's
DVD
B-

If proof were needed that the '60s were basically over by this point, consider how un-psychedelic this show is compared to the three major Krofft productions preceding it.  Here you simply have two junior-high-age boys trying to hide a friendly sea monster from their Aunt Zelda (63-year-old Mary Wickes, a former child star who kept acting for another twenty years after this).  OK, and meanwhile his mean family resent him leaving.  The show is topical in a different way, with Sigmund's father, given to saying "dingbats" and "stifle," clearly modeled on Archie Bunker, and the shellivision offering Serpent and Son.  I watched it either at the time or later in the '70s partly because of the parents-free beach setting and partly because of a mild pre-teen (or maybe it was a pre-pre-teen) crush on 13-year-old Johnny Whitaker, who I knew from Family Affair.  He sings pretty well, like Beach Boys Lite, with an extended version of the theme song in this pilot episode.  The title by the way refers to Great-Uncle Siggie, although I guess it could also be taken as an anti-police statement considering who Zelda's dinner guest is.  (Joe Higgins had been a Staff Sergeant on That Girl, and the role of Sheriff here is one he'd often play on various programs.)

This time the Krofft regulars include Sharon Baird (as the body of Big Daddy Ooze, with important supporting roles on H.R. Pufnstuf, The Bugaloos, and Lidsville), Billy Barty (as Sigmund, and earlier Sparky on The Bugaloos,) Walker Edmiston (as the voice of Big Daddy, and by then a veteran of Pufnstuf, The Bugaloos, and Lidsville), and Van Snowden (as Sweet Mama Ooze, previously Tweeter on The Bugaloos).  Si Rose wrote for all three of the previous Krofft programs as well.  Five-year-old Sparky Marcus is credited as Shelby, although I didn't see him, and would be on The Bob Newhart Show around the time he was Ape Face in Freaky Friday.  This episode incidentally aired at the exact same time as The Brady Kids second-season premiere, so I went alphabetically.