Showing posts with label McLean Stevenson. Show all posts
Showing posts with label McLean Stevenson. Show all posts

Sunday, December 3, 2017

M*A*S*H: 30th Anniversary Reunion

Image result for M*A*S*H: 30th Anniversary ReunionM*A*S*H: 30th Anniversary Reunion
Fox
May 17, 2002
Documentary
DVD
B

The then surviving cast, producers, and some of the writers gather together to reminisce about the making of the show.  It's good to see them together, enjoying each other's company-- an anecdote about the late Larry Linville (whom I didn't have room to tag) cracks the whole gang up-- but in a way it's too many people for this format, and not everyone gets an equal chance to talk.  (Alda, no surprise, does more than his share.)  Larry Gelbart, Burt Metcalfe, and Gene Reynolds do contribute a lot.  Note that at the time not only Linville but Stevenson and some of the supporting cast had died since the last M*A*S*H special I reviewed; last year of course we lost William Christopher, and Wayne Rogers the year before that (both on December 31st); Harry Morgan had gone at 96 in 2011.

Monday, June 26, 2017

Memories of M*A*S*H

Image result for Memories of M*A*S*HMemories of M*A*S*H
CBS
November 25, 1991
Dramedy
DVD
B

This is a much better reunion program than the one for The Bob Newhart Show.  It is in a way a clip show, but it is also memories from cast and crew of what it was like to be a part of the long-running series.  There's an added poignancy now, because so many of the cast have died since then.  (William Christopher's death at the end of last year being especially sad, such a gentle soul.)  This is not to say that the program couldn't have been better, maybe putting the series in context more, not only discussing the books and movie more, but noting that it was part of CBS pushing against censorship in the '70s, as with All in the Family.  There's not even a reference to the Vietnam War!  I also would've liked an actual reunion, rather than separate interviews, especially since everyone claims to miss the camaraderie and laughter on and offscreen.  Still, there are some good insights and touching moments, and some chuckles of course.

It's impossible to tag everyone obviously, so I'll list the others who appear, including in clips.  Long hosts the program and of course we see her guest appearance.

  • G.W. Bailey (interview and clips)
  • Linda Bloodworth-Thomason
  • Dr. Walter Dishell
  • Charles S. Dubin
  • Farrell's children Mike, Jr. and Erin
  • Larry Gelbart
  • Mariette Hartley (clip)
  • Ron Howard (clip)
  • Burt Metcalfe
  • Kellye Nakahara (interview and clips)
  • Leslie Nielsen as Col. Buzz Brighton
  • John Ritter (clip)
  • Clete Roberts as himself
  • Susan Saint James (clip)
  • Steirs's parents Ken and Maggie
  • Patrick Swayze as Private Gary Sturgis
  • Teri Garr (clip)
  • George Wendt (clip)
  • and others IMDB and I missed

Sunday, November 13, 2016

Match Game

Image result for match game skip stephensonMatch Game
CBS
January 15, 1982
Game Show
DVD
C+

And so ends the "Best Of," with an episode that feels off.  Despite Brett drinking, Charles being random, and Betty being sweetly snarky about Richard Dawson, the glory days are clearly over.  Maybe Match Game wasn't supposed to run long enough for "Day O'Connor" to be an answer for "Sandra _____."  (I foolishly thought "Bullock" and then changed to number one answer "Dee.")  Maybe a cable-ready television shouldn't be one of the prizes.  And maybe McLean Stevenson shouldn't be a guest when he has a cold and a career in shambles.  As for the other two guests, you've got the forgettable Melinda O. Fee and the aggressively unfunny Skip Stephenson.  I still played along, obviously, but this is as good a time as any to end this.

Since the DVD has nine years unevenly distributed, I won't grade by season.  But the thirty episodes have a narrow range of C+ to B, with most of those B-.  (The '62 pilot also got a B-.)  I think it's more a matter of great moments than great episodes, since, unlike with a narrative program, the first five minutes might have little to do with the last five minutes on a game show.  This is, by the way, the 500th program of mine to air on CBS.  Other than the last season and a half of McLean's old show, there won't be a lot more.

Monday, August 15, 2016

Hello, Larry: The Trip, Part 2

Hello, Larry: The Trip, Part 2
NBC
March 30, 1979
Sitcom
DVD
B

It turns out that Woody Kling, a staff writer on HL, wrote this, although he does a good job of mostly keeping the DS characters intact.  (It should be Arnold, not Willis though, who asks when dinner is.)  And Doug Rogers was a regular HL director.  It is notable here that Ruthie (Kim Richards) has a lot more to do than not only Diane and Kimberly but Willis, although Arnold of course holds his own.  The two dads have some nice scenes together, including fighting in a fairly plausible way, and they even sing a little duet at the end.

Joanna Gleason, who plays Larry's producer Morgan Winslow, would appear as Faith Crane on Bosom Buddies.

Diff'rent Strokes: The Trip, Part 1

Diff'rent Strokes: The Trip, Part 1
NBC
March 30, 1979
Sitcom
DVD
B

Although Hello, Larry had premiered only a couple months before, I recall it as a ratings bomb from early on, although it would limp along for another thirteen months after this, while DS of course lasted into '86.  The MAD Magazine satire "Diff'rent Jokes" (http://www.madmagazine.com/sites/default/files/MAD-Magazine-Diffrent-Jokes-Splash.jpg) would in fact appear that same Spring of '80 and mock both shows for the cross-promotion.   The idea of a cross-over isn't too contrived though, and I totally buy that Phil and Larry are old chums.  (Their kids remark they both tell bad jokes.)  And somehow, cross-breeding the corniness improves things.

Phil's corporation has bought Larry's Portland, Oregon radio station, and unfortunately "the computer" thinks the station should be automated.  Never mind that Phil dismissed what the social worker's computer said about inter-racial adoption, this time Phil's going along with it and wants to break the bad news to his friend in person.  The whole family goes along, although Mrs. Garrett is taking a side trip to Seattle to see her sister Beverly.  (Years before Cloris Leachman showed up in the role on Facts of Life.)

Considering that Colonel Blake isn't too appealing a character (I definitely prefer Potter), I'm not sure why I'm so fond of McLean Stevenson, but I think it's actually these loser roles he played post-M*A*S*H, a bunch of guys who weren't succeeding, on shows that weren't succeeding.  By this point he has the slumped shoulders (definitely in the MAD satire) and weariness that I equate with McLean.  As for his onscreen daughters, you can see that Kim Richards, playing Ruthie, was an old pro at the age of 14 (about eight years after The Nanny & the Professor), while Donna Wilkes, as Diane, is pleasant but forgettable enough that the role would be recast in the Fall (in time for the Thanksgiving cross-over).

Note that the script is by Howard Leeds (his second for DS), Ben Starr (his third), and Martin Cohan (his first for this show, although he'd done some for The Bob Newhart Show among others).  I don't know about Part 2, which is technically a Hello, Larry episode, although thankfully packaged on the DS DVD set, so I'll get to it next.

Sunday, July 10, 2016

M*A*S*H: Our Finest Hour

M*A*S*H: Our Finest Hour
CBS
October 9, 1978
Dramedy
DVD
B-

Clete Roberts appears as himself in this odd hybrid of fake documentary and clip show.  I don't think the two halves mesh particularly well, but the interviews are good and so are most of the clips.  I'm glad they included Frank, Trapper, and Henry, although there's more of a focus on the current cast of course.  This originally ran as an hour special but apparently was damaged and has been rebuilt from the syndicated version with two parts.  Note that this is set October 9, 1952 (exactly 26 years earlier), which means that the first six years are supposed to have happened in about two.  Obviously there will be more retcon later.

Jeff Maxwell (Straminsky) and Kellye Nakahara (Yamato) both appear, mostly in archive footage.  I'm unable to tag Truman, Ike, Nixon, or MacArthur, who definitely appear in archive footage.  The new material is written by Larry Balmagia, Ronny Graham, David Isaacs, David Lawrence, and Ken Levine, and I won't tag the Charles Brothers etc. who wrote the episodes in the clips.  I definitely won't tag all the directors listed, not counting the cast members who directed, but I will note that Burt Metcalfe directed the new material.  Furthermore, I can't tag Mary Jo Catlett and Teri Garr as I normally would.

Tuesday, April 19, 2016

M*A*S*H: Abyssinia, Henry


M*A*S*H: Abyssinia, Henry
CBS
March 18, 1975
Dramedy
DVD
B+

This Greenbaum & Fritzell episode, directed by Gelbart, is arguably the most remembered episode of the series, and certainly one of the all-time season-closers.  It also wraps up the first phase of M*A*S*H.  But before we get to that, including the literally killer scene, which most of the cast didn't know about till it was shot, I want to talk about the episode as an episode, as well as Henry Blake as a character.

There are some funny and/or touching scenes here, as everyone prepares for Blake's departure, in a different way than when it seemed like Trapper was going to go home.  Everyone reacts in character, like Margaret and Frank looking forward to Frank taking command, and Hawkeye and Trapper knowing they're going to miss their buddy but still being happy for him.  Henry and Radar have some father-and-son-like moments, including talking about their fathers, and Burghoff's acting is just wonderful throughout the episode.  By the way, Henry's son is already playing the trombone, so either he wasn't born during the war, or he's a Mozart-level musical genius.  It is 1952, which would be plausible after two-and-a-half years on the air, and no one knew that there would be eight seasons left.

I'm not crazy about Blake as a person (as I've mentioned in other posts), but I think Stevenson does well with the role, especially in this episode, where he has to play so many emotions.  His lackadaisical "command" fits Hawkeye and Trapper's attitude and gives Frank and Margaret something to play off of, as well as someone for Radar to benignly manipulate.  I can believe that all of them, even the two antagonistic majors, will miss him.

Years later, MAD Magazine would joke that Col. Blake was destroyed by a bomb, i.e. Hello Larry.  There were actually several failed series for Stevenson, but somehow this fits the bumbling image of Henry.  I like that this ignoble man has a hero's death.  (Well, to the extent that dying in a plane crash is heroic.)  It actually makes an important point about war, and about life, that a death can be tragic even if the life, as represented in the pre-closing-credits montage, is comic.  As such, that scene and this episode are an important demarcation line, separating the Blake-in-nominal-charge first three seasons from the next phase of the show.  Henry has a line in this episode where he says he wishes they were all going home with him.  Rogers would very soon leave the show as well, as would Linville a couple years later.  Those that would remain would undergo many changes.

As for Season Three, it's been another crazy ride, with episodes ranging from F+ to B+s like this one, all averaging out to B-, like usual.  Do I think that the show will improve without Henry?  Maybe, but the main problems are sexism and inconsistent characterization and plotting.  The show needs a major overhaul of writers after three years, either a whole new batch or at least retraining for the existing ones (especially the over-praised Gelbart, who's not a bad director though).  It's frustrating, because the show can be quite good at times and then dip in quality a week or two later.  (The writers here also wrote the F+.)  I'm sorry to keep comparing it to BNS, but that show does what it does so well and got no Emmy nominations.  It is an interesting ride here at the 4077th though and I am curious to see where it takes me in the remaining year or so of the war.

Gwen Farrell (now Nurse Gwen), Jeff Maxwell (Straminsky), Kellye Nakahara (Yamato) all appear in this episode.  This is the 700th program I've reviewed.

M*A*S*H: White Gold

M*A*S*H: White Gold
CBS
March 11, 1975
Dramedy
DVD
C+

This Gelbart & Muntner story has its moments, mostly involving (not surprisingly) Flagg and/or Klinger, but it's muddled in tone and plot.  We're expected to laugh at the idea that Frank is excited by Flagg wanting to torture a prisoner.  (The laugh track is used intermittently this season, or rather unused and misused.)  And, as in some other recent episodes, other characters' actions are also morally dubious, even within the context of the episode, or the series.

Hilly Hicks, who plays Corporal Perkins/Johnson here, would come back as Corporal Moody.  Stafford Repp, who's best known as Chief O'Hara on the '60s Batman and who was on a '71 episode of That Girl, died a few months before this episode with him as Sgt. O'Hara aired.  Jeff Maxwell (Straminsky) returns and has a nice reaction shot to Hawkeye in the mess tent.

Monday, April 18, 2016

M*A*S*H: Payday

M*A*S*H: Payday
CBS
March 4, 1975
Dramedy
DVD
C+

This Regier & Markowitz story has

  • Father Mulcahy gambling,
  • Klinger offering Blake a bribe,
  • Trapper stealing Hawkeye's watch to gamble with,
  • Burns buying Houlihan a phony pearl necklace, telling her it's real, and saying he wants to "rape her nape,'
  • Houlihan tricking Burns in revenge so that he'll steal the phony necklace back and exchange it with the real one,
  • and Hawkeye trying to do something decent by donating a windfall of $3000 to Mulcahy for the local orphanage but almost getting arrested for theft.

Johnny Haymer (Zale), Jeff Maxwell (Straminsky), Bobbie Mitchell (Baker), Mary Peters (Nurse), Eldon Quick (Sloane), and Jack Soo (this time Kim Chung Quoc and by that point on Barney Miller) all return.

M*A*S*H: Big Mac

M*A*S*H: Big Mac
CBS
February 25, 1975
Dramedy
DVD
B-

This Laurence Marks story has the 4077th awaiting the arrival of General MacArthur.  Klinger, in many fabulous outfits, steals the show.

Graham Jarvis, who's Col. Whiteman, would be Dr. Bickwell on the next season of The Bob Newhart Show.  Odessa Cleveland (Bayliss), Jeff Maxwell (Straminsky), Kellye Nakahara (Yamato), Jeanne Shulherr (a Nurse, her last appearance on the show), Dennis Troy (this time a Driver), and Loudon Wainwright III (Spalding, not even allowed to perform a whole verse in his last cameo) return.

M*A*S*H: Love and Marriage

M*A*S*H: Love and Marriage
CBS
February 18, 1975
Dramedy
DVD
B-

This is the only M*A*S*H script by Arthur Julian, who did three for That Girl, and it has some flaws, among them the lack of real concern when a gunshot outside interrupts a poker game, and Radar's extreme squeamishness as a witness to childbirth.  (I know he's innocent, but come on, he grew up on a farm and he has lots of pets.)  Still, there are some good dramatic scenes.

Soon-Tek Oh, who gives a nice understated performance as Mr. Kwang, would return in four other roles.  Dennis Dugan, who plays the innocent-seeming Private Danny McShane, would return in a different role in the final season.  Jerry Fujikawa (this time Dr. Pak), Roy Goldman (as Roy Goldman), Johnny Haymer (Zale), and Kellye Nakahara (Yamato) return.  Swit is absence without explanation.  This is the second of two M*A*S*H episodes directed by Lee Philips.

M*A*S*H: Aid Station

M*A*S*H: Aid Station
CBS
February 11, 1975
Dramedy
DVD
B+

Simon Muntner's second M*A*S*H story, co-written with Gelbart, is to put it mildly a vast improvement over the previous episode.  Hawkeye, Margaret, and Klinger go to the title location, which, with its roof blown off and its doctor killed, is little better than an open-air shack.  They all give it their utmost and develop more respect for each other.  Meanwhile, the people back at the 4077th worry about them and, Frank in particular, gripe about the "primitive" conditions of the camp.  This leads to a lovely moment at the end, where Frank and Trapper are criticizing the food, while Hawkeye and Margaret, who are glad to be back at what Klinger described as an "upholstered toilet," exchange a look of amusement and affection.  I also like the scenes between Klinger and Radar; I'm pleased to see that friendship develop recently.


Tom Dever this time plays a Corpsman.  William Jurgensen directs his first of ten M*A*S*H episodes.

Sunday, April 17, 2016

M*A*S*H: House Arrest

M*A*S*H: House Arrest
CBS
February 4, 1975
Dramedy
DVD
F+

This Fritzell & Greenbaum story is easily the worst program I've watched so far.  It starts with Hawkeye sending Margaret out of the OR when she keeps making mistakes.  He's a little harsh with her, but he has a point, since patients' lives are at stake, and she's too nervous about the impending visit of Col. Reese to do well.  But then when they're all washing up after surgery, they argue and he makes some very sexist and sexually harassing remarks to her.  She insists on Frank defending her honor, which is treated as a joke by Hawkeye and Trapper.  Frank hesitates and then snaps a towel at Hawkeye, which is immature but harmless.  Then Hawkeye seems like he'll retaliate but instead he punches Frank in the eye!  Yes, I understand that Frank gets on Hawkeye's nerves, but Frank has done far worse than this (like trying to punish the gay soldier and the one with the self-inflicted wound), and Hawkeye has restrained himself.  With Margaret egging him on, Frank threatens Hawkeye with court martial.

Henry wants Hawkeye to apologize and for it to end there, but Frank insists that Hawkeye be placed under house arrest.  Hawkeye is delighted with the idea that he doesn't have to go anywhere outside the Swamp.  When the cook sends him a steak and Father Mulcahy (really disappointing me) brings Hawkeye a frigging POW care package (!), it's clear that everyone is treating Hawkeye like a hero for punching Frank, again with little provocation.  They even show the night's movie in the Swamp, with hot dogs and popcorn.  Note that Nurse Baker (Bobbie Mitchell) is annoyed by Hawkeye groping her during the movie (there's an earlier line about groping at the movies) but when it turns out to be Col. Blake, she is equally annoyed.  She does not change her seat or report them to anyone, because who could she complain to?

Meanwhile, since Trapper was a witness, he tells Henry that Frank just slipped on a bar of soap and hit his eye on the sink.  (The injury does not at all resemble what it would if this were the case.)  Henry is happy to accept Trapper's explanation.  I would actually prefer it if Trapper said, "Look, Henry, Hawkeye did hit Frank, but can you blame him?  The guy's been getting on our nerves for months."  It would be in character and, even if I didn't agree with Trapper, it would still be far preferable to him lying to save his buddy's ass.

Also meanwhile, Reese (Mary Wickes, whom I normally enjoy). shows up and soon is on the make for Frank, especially when Margaret admits that Frank is unhappily married.  Frank goes looking for Margaret and finds Reese, who's staying in her quarters.  Reese comes on to him despite his mild protests, and in fact offers quid pro quo promotion.  (Not that they called it that back then, but it does meet the legal definition.)  Earlier Reese was disappointed to hear what Hawkeye was arrested for, hoping it was for "jumping a nurse."  So now she starts kissing Frank, and Margaret walks in.  And Reese starts hollering, "Rape!"  The reaction of the rest of the camp is annoyance that the Gene Tierney movie has been interrupted and, as they all go to investigate, Trapper makes a crack about never having been to a rape before, like this is the next phase of the evening's entertainment.  Margaret, angry that Frank was seemingly cheating on her, rescinds her testimony against Hawkeye and says that Frank had slipped on a bar of soap.  So Hawkeye is freed and Frank is under arrest.  THE END!

A nice moment in an otherwise ghastly episode
The only reason why I didn't go lower with the grade is because I sort of like the sub-subplot about Radar ordering elevator shoes.  It's sad that he thinks they're necessary (Gary Burghoff, I had such a crush on you!), but it does lead to a sweet and funny little scene between him and Klinger, who's so sympathetic that he not only lowers the hems on Radar's slacks but helps him stand up in the lifts.  Towards the end of the episode, Hawkeye questions why Radar ordered the lifts, and he says that everyone makes fun of him, "including you."  Hawkeye apologizes and says he's been wrong to do this.  Which would be touching if, one, I didn't have the feeling that there would be more height jokes from Hawkeye down the road, and two, if there were any lightbulb moment where Hawkeye says, even if just to himself, "Gee, and I guess I've been even more out of line to Margaret, who, whatever her flaws, is usually a wonderful nurse."

Jeff Maxwell (Straminsky), Kellye Nakahara (Yamato), and Dennis Troy (an MP again) return.

Saturday, April 16, 2016

M*A*S*H: The Consultant

M*A*S*H: The Consultant
CBS
January 21, 1975
Dramedy
DVD
B

Robert Alda (whom we last saw on a That Girl episode) makes his first of two appearances as Dr. Anthony Borelli and he plays well off Alan A.  Yes, other actors could've done fine in the role, but since there are themes of generational conflict and feet of clay, having a father and son in these scenes adds an extra layer.  Note that Margaret, who seems to have a thing for older men, is attracted to Borelli, but nothing happens between them.

Tad Horino was the 1st Korean Kim Luc and is the Bartender here.  Jeff Maxwell (Straminsky) and Kellye Nakahara (Yamaton) return.  This is Robert Klane's last M*A*S*H script, based on a story by Gelbart.

Friday, April 15, 2016

M*A*S*H: Bulletin Board

M*A*S*H: Bulletin Board
CBS
January 14, 1975
Dramedy
DVD
C+

Simon Munter's first of seven M*A*S*H scripts, a collaboration with Gelbart, doesn't have much of a plot, just a series of incidents.  We do find out that Margaret has a younger sister, a captain who's getting married, and a mother who's turned to drink and kleptomania since the father died.  And Trapper writes to his seven-year-old, Becky.  (Was Kathy the five-year-old before?)  Oh, and there's yet another sex lecture by Henry.  I could've done without the Gelbartian line about Hawkeye and Trapper "molesting the nurses."

Roy Goldman (this time as an Orderly), Johnny Haymer (Zale), Jeff Maxwell (Straminsky), Kellye Nakahara (Nurse Charlie for a change), Patricia Stevens (Nurse Brown for the moment), and Dennis Troy (this time as an M.P. Guard) all return.  Alda directed again.

M*A*S*H: Bombed

M*A*S*H: Bombed
CBS
January 7, 1975
Dramedy
DVD
B-

In this Fritzell & Greenbaum story, the 4077th is being bombed by "friendly fire."  Trapper and Margaret get trapped in the supply room and Frank worries that they fooled around.  It's pretty much established by this point that Margaret is attracted to John Xavier McIntyre, but I think she'd be unlikely to give up the married man she's with and used to for a married man who's gotten on her nerves so much.  Frank panics and proposes marriage to Margaret, partly out of jealousy but also out of fear of the bombs.

Roy Goldman (as Roy Goldman), Jeff Maxwell (Straminsky), and Kellye Nakahara (Yamato) return

Thursday, April 14, 2016

M*A*S*H: Private Charles Lamb

M*A*S*H: Private Charles Lamb
CBS
December 31, 1974
Dramedy
DVD
B

The calendar may say New Year's Eve, but it's either April 29, 1951 or April 20, 1952 in this Sid Dorfman celebration of Greek Easter.  Radar, whom we saw in the previous episode has many pets, here has a soft spot for the lamb who's scheduled to be the main course.  I suspect that the pun of the name he comes up with for the "private" is an unconscious one on Radar's part, since he's previously been shown to not know much about literature.  There seems to be a lot more wordplay than usual this episode, including Henry's "Abyssinia" pun that would be ironic in retrospect at the end of the season.  Meanwhile, Frank accidentally hears a confession about a self-inflicted wound, when the patient mistakes him for Father Mulcahy.

Tito Vandis, who's Col. Andropolis here, would be Gene the Janitor on The Bob Newhart Show.  Kellye Nakahara (Yamato) can be spotted in a Hawaiian shirt at the feast.  Margaret is in Tokyo this episode.

Wednesday, April 13, 2016

M*A*S*H: Mad Dogs and Servicemen

M*A*S*H: Mad Dogs and Servicemen
CBS
December 10, 1974
Dramedy
DVD
B-

In this Bloodworth & Place script, Hawkeye and Trapper apply the therapy method of an unseen Sidney Freedman on Corporal Richard Travis (Michael O'Keefe, who'd play Tom later), who's paralyzed for psychological reasons.  His cure seems a bit fast, even for a half hour program.  Meanwhile, Radar is bitten by a stray dog, leading to a nice, humanizing scene for Margaret as she reads aloud his letter from a pen pal.

Shizuko Hoshi, who was on The Bob Newhart Show twice, makes her first of four M*A*S*H cameos, as Rosie.  Arthur Song plays a Korean Man, as he would on the show's finale.  Roy Goldman (as Roy Goldman), Jeff Maxwell (Straminsky), Bobbie Mitchell (Baker), and Kellye Nakahara (Yamato) return.  Anachronism notes: not only is there another reference to Godzilla, but some of the songs didn't come out till '56.  Rose could however be reporting on the Tony Curtis/ Janet Leigh marriage of June 1951.

M*A*S*H: A Full Rich Day

M*A*S*H: A Full Rich Day
CBS
December 3, 1974
Dramedy
DVD
C

John D. Hess's first of three M*A*S*H scripts has a twist on the "Dear Dad" episodes, since Hawkeye is tape-recording a letter instead of writing one.  However, I was utterly indifferent to the various plot threads.  Sirri Murad would play another Turk five years later.  Kellye Nakahara (Yamato) returns but Swit is absent again.

Tuesday, April 12, 2016

M*A*S*H: Adam's Ribs

Goldman and Straminsky
M*A*S*H: Adam's Ribs
CBS
November 26, 1974
Dramedy
DVD
B-

Laurence Marks wrote this variation on the "Hawkeye wheels and deals for something he wants" theme, this time barbecued ribs from Chicago.  Basil Hoffman makes his first of two M*A*S*H appearances, as Major Pfiefer.  Roy Goldman (as Roy Goldman) and Jeff Maxwell (Straminsky) both appear, seemingly on permanent KP duty.  Both Linville and Swit are absent.